Religion Hawes

All Things I Find Beautiful

  • A thread of contradictions stitches me together. The opposing threads that weave through me bear an irreplicable dichotomy. Each needle sinks into my fragile flesh, pulling me taut between motion and stillness, certainty and uncertainty. To live in this body is to dwell in purgatory, suspended between who I am and who I am becoming. Purgatory is often imagined as flame; mine was fluorescent lights, antiseptic air, and the quiet ache of muscles that refused to function. It began the first time my kneecap slipped out of place. What seemed like a fleeting injury unraveled into something larger—something closer to exile. As in Hemingway’s The Sun Also Rises, the day insisted on beginning again, indifferent to my collapse. I clung to the small hope that morning light itself was proof of continuation, even as I remained suspended between what was broken and what might yet be restored.

    My mourning began on September 29th, 2022. I crumbled under the warm hues of the doctor’s office. My right kneecap continually slipped, carving me out internally. The betrayal from my own body was simply nauseating.

    My world became tumultuous, yet hauntingly still. That stillness became its own teacher. I attacked books and feasted upon them with a hunger I had never known. I devoured words as though they could stitch me back together, searching for the same fractured identity I felt within my body. The labyrinthine sentences of Faulkner became a mirror for me, but also a lifeline — evidence that complexity could be carried, and even made beautiful.

    My name is Religion. For years, I carried it like a burden, the way Faulkner carried Mississippi—as both origin and question, both anchor and chain. I was raised by two atheists, the irony carving space for another contradiction. Yet slowly, I began to see my name not as a weight, but as an opening — an invitation to wrestle with meaning.

    December 22nd, 2022: I went under. Not with faith, not with hope, just a prayer, ragged and gasping. Not for salvation—but to let someone know I was afraid. Afraid of being forgotten, of being left alone in a hollow body.

    I read the Psalms’ cries of lament and realized that suffering has always had a language.

    Psalm 6:6 (ESV):

    “I am weary with my moaning; every night I flood my bed with tears; I drench my couch with my weeping.”

    Religion is not certainty—it is reaching across the void, fumbling toward meaning, enduring the silence between questions and answers. In my waiting, as pain stretched into years, I began to see my name differently. Like Faulkner’s Mississippi, it became not just a place of heaviness but a source of vision, of voice, of persistence. Even sorrow taught me that silence can hold possibility.

    The hunger came back stronger, as my left knee followed the course the right had trailblazed.

    June 10th, 2023: I lay under the knife once again, becoming the needle-prick sensation that overtook skin and thought and word. The burning took my body, it took the space beneath my eyes. The fire that only God Himself could have kindled, and Satan could stoke. That burn claimed my body for itself. It turned what I knew into smoke, into dust. I was no longer a girl, a daughter, or even a being, but a pincushion. My Mama’s favorite, round as a stomach full of regret, wanting as much as eerie silence craves a whisper. Yet even then, I sensed that endurance itself was a form of defiance — that if I could survive the fire, I might emerge remade.

    Sylvia Plath became a mirror for that fire. She could name the sensation of being consumed and still leave behind words like embers. Her poetry carried the scorch of confession, where destruction did not silence but demanded articulation. The Bell Jar gave form to the invisible weight that suffocated me, echoing the betrayal of my own body. She showed me that the ashes left after burning are not emptiness, but residue that can be shaped into language. Plath taught me that pain can be transfigured: not just endured, but sharpened into voice—luminous even in devastation.

    Even now, scars stitch across my knees, not as afterthoughts but as scripture etched in flesh. They remind me that I am both wound and witness, both limited and limitless. Where others might see only damage, I read lines of survival—chapters that refuse erasure. I have come to know that the body remembers, and in its remembering, it writes. My scars are not endings but continuations, margins filled with fire and silence alike. Purgatory was never a grave; it was a passage, a refining. I remain suspended in becoming, shaped each day by the tension of opposites—fragility and strength, despair and hope, silence and song.

    I do not claim triumph. Instead, I claim transformation. My injuries stripped away one version of myself, but literature offered me another: a way to endure, to question, to see meaning in contradiction. If being human means living in contradiction, then English is where I will thread those tensions into meaning, and where I will begin the next chapter of my story.

  • That rash blooming beneath my arms where the crutches made their cruel beds, pulsed- in time with something deeper. With becoming- becoming the itch, the suffering, the misery. Becoming the needle-prick sensation that overtook skin and thought and word. The burning took my body, it took the space beneath my eyes. The fire that only God Himself could have kindled, and Satan could stoke. That burn took my body for itself. It took what I knew and turned it to smoke, to dust. All I knew to be true about myself dissipated into uncertainty. I was no longer a girl, a daughter, or even a being, but a pincushion. My Mama’s favorite, round as a stomach full of regret, wanting as much as eerie silence craves a whisper. I was succumbing to the worst high of my life- Oxycodone. Something of a sin, a sin when taken on a stomach turning in on itself. 

    I’m a freshman in high school, I wear the badge of honor being a Fort Collins Lambkin. This is the year characterized by the sliding of my right kneecap, and subsequently, my left. It’s a warm and constant pain-the dislocation. The year of despair. 

    A boyfriend- who finds solace in being subservient, maybe because he’s truly just a boy. 

    We entered my home. The hinges complaining of the force and weight of the ponderous doors, the walls breathing-suddenly puffing their chest out. The fridge door was in a mood- angered at the fingerprints that littered it. My boyfriend was there, rummaging as if he were a bandit… stealing what was left of me—sprouts, sourdough, tomatoes. His juvenile hands make my weakened body a sandwich. With his swiftness, I assumed that he smelled the sweetness on my breath, maybe he saw my primitive nature awakening and my ravenous spirit rising. 

    The door screams in agony once again- mirroring my pain- my Mama enters. Her angelic figure glows as she becomes my haven. My eyes met hers and I knew. I knew I was leaving myself. “I’m going to pass out,” I said, and the words stretched like the hair tie I once favored so- thinned to the point of breakage. Ecclesiastes 3:20 rang in my near vacant mind: All go to the same place; all come from dust, and to dust all return. God’s call. The earth’s cry. The lonesome song- beckoning for me. I submit and obey. I become the purest version of myself. Embedded in only myself. All external forces dispel. I’m left with purity. The light is so often mentioned has become me. 

    A life lesson arises: don’t take Oxycodone on an empty stomach. 

    Panic overcomes me. It seeps between the grouted lines of the kitchen tile. I- folded inwards, and crackers crumbled against my teeth like communion. A glass of water is planted before me like an offering, with an orange straw, and the boyfriend says it’s your favorite, like he knows something about me that I never chose to give him. He held my hand and called it love. 

    Scared and juvenile, the boyfriend left. He had done all that a boy could. 

    Mama lifted me: my burdens, my sorrow, my naked body. Heaved me into the pounding water of the shower. Steam arose, it still wasn’t enough to hide me. The water hit my skin with a ferocity that mirrored the fire that had burned me before—before I surrendered, before I passed out. This time it found its home beneath only my eyes. The everlasting fire claimed that cavern as its final resting place. Where it would stay until one of us is no more. The place where the sorrow settles like dust on the plains… finally home. 

    I’m not able to lift my own body into the shower for weeks. My Mama is the one who heaves the weight of me, in and out of the shower. 

    As I’m lifted, I want to mourn. Not for the pain, or the mobility lost or the knee that would never be the same, but for the reflection staring back at me. The mirror straight ahead took my soul. I could see the body that was no longer mine. To mourn that I’m commanding a body that wouldn’t obey. I’m repaying a debt- to whom I’m still not certain. The price I had to pay was to stand under that steam, under the eyes of criticism, to be bare, stripped of all dignity and hope. There was no redemption, the ritual of scrubbing, the heat stripping- nothing could rid me of my filth. Scrubbing with one hand, balancing as if I were some tragically magnificent tightrope walker who only had one leg. 

    I refuse to touch my left knee. It isn’t mine anymore. It no longer belongs to me, not in the way a body should belong to a person.  It’s attached to me but it will never be mine. Numb, aching and grotesquely large. Remnants of black markings from the steady hand of my surgeon. My knee twisted and mangled, only there to remind me of what had been, and what would never again be. And somewhere, beneath the surface of my stretched, unhuman skin, under layers of muscle and tendon, I could feel it—the whisper of a cadaver’s hamstring, stretching over the ruins of my knee, I knew then- at that moment- that it would haunt me. 

    It wasn’t my body anymore. It was something else. Something I didn’t know how to live with.

    I believe in seeing auras.
    Not the kind the mystics chase, or psychics interpret, not the ones wrapped in sage. I mean the ones that come when the world turns upside down, as a beached whale does. When pain hums so loud behind your eyes that the light itself starts to bleed. The doctor’s office glowed with orange and yellow hues. It was sickly warm. Pulsing not with comfort, nor safety… it was too intentional, too curated. It was repulsively welcoming.

    I’m at the Children’s Hospital in Aurora. My Mama is at my side. I’m sitting on the bright white paper that crinkles with the shift of my weight. My left knee has started sliding- paralleling the rebellion that my right knee trailblazed months prior. 

    A nurse sits across from me—wearing a white coat and gentle voice. She is a stout brunette woman, but a gatekeeper all the same. And she gave me the choice.

    “I’m not certain that the damage present in your knee is enough for a mandatory surgery. This is going to be a choice for you to make. We can talk through your options… There are pros and cons to both options. It’s a question of how much it bothers you. Is this a pain you’re willing to tolerate throughout your life?” She briefly paused and searched my face before continuing, “You’ve done this before. You know the pain that you’ll be facing. You understand the recovery process, and the duration. What would you like to do?” 

    “Will I have the same surgeon? Will my knees look the same?” I questioned, as the tears welled. 

    My surgeon gives me a doting look, as sympathy is leaking from his pores. 

    “I would be operating on you once again. I truly believe in symmetry, therefore, I will do my best to make them as ‘attractive’ as possible. Fairwarning, there is no telling how well they will heal. You may have purple scars for the rest of your life.” His tone remains even. 

    “I want to deal with it now. It’s already painful to walk, let alone be an athlete,” my words squeaked out. 

    I had left out the part that I’d already been stripped of my athletic identity. Stripped of my entire identity. I’m already baren, so just take what is left of me. I feel like a home that’s being torn apart at the seams. When they are through with me, I will be nothing but a vacant lot. I’m not angry, I never have been quick to anger. But, I was suddenly shaking on the kitchen floor again. That orange straw staring at me.  Daunting, telling that it knew something that wasn’t me. Now my surgeon is the boy taking something from me, but I chose to give it to him. 

    “I’ll pull up the schedule and we can choose the date.” Her voice sings so surely.
    The option.
    To burn again. To reopen the wound. To descend back into the furnace of recovery. She called it a choice. Optional. As though someone handed me the blade and asked if I’d mind holding it to the warmth of my body, and making that cut. 

    In what world would I choose this?

    In what world would I crawl back to the altar, offering my body for sacrifice, again?

    And I thought: maybe I was glowing, too. Maybe the aura she saw surrounding me was just the last flicker- a remnant of someone who used to be whole.


    Summer announced itself with pain. The heat of hell burning within my soul, a fire that came not from the world outside but from the flesh, from the bones themselves. Almost as though my body had become its own forge. This time, it was the right knee—the one I had hoped would survive, and that would be the last to betray me. But it, too, failed. My body is “cheaply built,” as Mama liked to say. I just called it betrayal. A rebellion of a body I no longer claimed as mine, a body I no longer wanted. It is tethering me to this world, yet binding me to my misery… all in the same. I crumpled. The weight of myself, of this body that had once been mine, was too much to bear. I couldn’t carry it anymore. It was like God pulling the string beneath a marionette He’d grown tired of watching, maybe a show He was sick of. Maybe I was the show He didn’t want to see anymore. Like water through a sieve, pressing me down. Pressing me into dust, never to rise again.

    I made the decision to follow through with the second knee surgery weeks ago. I suppose it didn’t really sink in until I’m in the repulsive green gown with blue embellishments. I’m being lifted from the comfort of a warm bed to the cold, less welcoming operating table. As I’m surrounded, there are chattering remarks. Remarks of my height, my build, my beauty. I lock eyes with one man who’s taking part in the chattering. As I meet his striking blue eyes I realize he’s my anesthesiologist. I have a sneaking suspicion that he has the most perfect smile under his mask. I sink into his words, his voice is dripping with honey.  I’ve always been fond of anesthesiologists. I think it takes a certain kind of person to be warm enough to guide people to sleep, or to death and have their minds be clear and calm. This stranger is my solace, and he is my temporary savior. I’m ready. 

    I went under. Not with faith, not with hope, just a prayer, that’s ragged, and gasping. Not for salvation—but to let someone know that I was afraid. Afraid of being forgotten, of being left alone in this hollow body. When I woke, I knew I’d find no father beside me. No kind word from a man who knew exactly what I needed but had never known how to give it. No, just Mama. Always Mama. She’s enough. But she’s all I have left.

    When I woke up, I found the dryness of my mouth, the pressure on my chest, that fire—the same fire—back, burning beneath the layers of gauze, compression, yellow antiseptic. Somewhere beneath it all, I could feel it: the hamstring, stretched and stitched into my body-foreign. It didn’t belong to me. It had been manipulated and crafted and placed there, like a lie I had agreed to carry. 

    There was no boy this time. No one to catch me when I fell, no one to love me through the haze of pills and pain. I’d since been cut off from painkillers— I was limited to “just enough to get by”. 

    It was Mama who lifted me again. Her arms were tired, her body old in ways she never let on, ways she always hid beneath the motion of loving me. Her body withered and weathered from years of unkind farm work. She was the one who would lay my lazy body across the bed. She would be back every two hours, like clockwork- like my personal nurse. Day or night, Mama was there. She was by my side, she gave all of herself in return for a fragment of who I once was. 

    The knee was yellow, bruised and swollen, the black marker lines still faint. I would never touch it. Not with my hand. Not with my mind. It belonged now to the surgeon, to the dead donor, to God maybe—but not to me. It belonged to someone else. Something I could never claim.

    Every movement felt like betrayal. Every flex, every bend, a question I didn’t want to answer. A truth I couldn’t face.

    But the truth is, I had already left myself. Somewhere between December and June, between the first dislocation and the second, I had gone missing. In the space between, I had lost the girl I had been, the one who could stand on her own, the one who thought she knew who she was. Now, I live inside a body that still bears my name. Yet it is a body that is no longer my own, though it still carries the traces of me. 

    As I peer in the rearview mirror, I see everything in an orange haze- that same sickly warm haze that occupied the doctors office. I witness the tears and the terror. I begin to mourn for who I always envisioned myself being. I’m faced with the haunting realization that I am human. I am a piece of paper that has been crumpled with excruciating force…I can’t take those divots out of myself. But, for it I have discovered who I am meant to be. I ponder if that was a necessary journey that I had to take to become softer, to become more kind. I still mourn who I thought I would be, and the dreams that that girl had. I like to honor her, even though she is no longer a part of me. She is a stranger that I wish nothing but success to… in another life. 

  • I miss looking at life with an elementary state of mind… that is after all, when I learned the most fundamental skills. And, it’s when I wore red, knee-high, gogo boots religiously.  One of my most memorable teachers was Mrs. Julie . She was the one who duct taped those red boots to me when the zipper broke. But beside teaching me that a little tape goes a long way, the most impactful thing that she taught me was how to carry myself. We had these big posters littered around the room- a woman carrying dozens of shopping bags with the word “prepared” stamped on it. Her iconic oversized sunglasses and impractical sunhat are forever glued in my mind. My favorite had to be the poster that looked like a billboard, an enormous- laminated Cinderella, with the word “prompt”. There were 6 total posters that looked like this, all representing the 6 P’s. Prompt, prepared, polite, produce, presence and perseverance. Now that I’m old enough to start making my way in this big scary world- I still think back to these 6 ideals and use them to guide me. As you embark into the real world and begin to venture for a job… it can be hard to knowing where to start. The starting point should be the characteristics that you already have. The basic principals that have been instilled in you from the very start. These basic principles still play a vital role in my life today, each of the 6 P’s being highlighted by the posters of my childhood. So what about these posters made them last the test of time? 

    Today I’m going to use these posters to illustrate the preparation aspect of getting a first job. 

    Well, starting from a base, you need the poster paper- having a strong base is crucial for making anything formidable. The paper correlates with being prompts and prepared. Being prompt is about more than setting an alarm clock. It’s about being on-time consistently, no matter the circumstances. Being prepared is an indispensable characteristic to be successful.  If you are able to get somewhere on time, but are unprepared and don’t have everything you need… then your hard work is useless. Employers deeply appreciate when employees are prompt and prepared, proving that they are well equipt for the workplace. 

    Once you have your base, a poster needs prints and images. It’s the bulk of the poster, and what makes it stand out. This is perseverance, and presence. From the age of four to the time of earning your first job you’ve been given time to marinate, proving and perfecting these skills. Somewhere along that path one learns what other people value and appreciate. Going into the workplace, employers value when you show perseverance, and your presence is positive. Are you kind to others? Easy to work with? Have a positive attitude? Your presence is how you affect people, and how you react to situations. The definition of perseverances is “doing something despite difficulty or delay in achieving success.” More simply, this means you keep trying no matter what. This is equally applicable when getting a job either within the workplace, working to my full ability or by simply preserving through rejection, and continuing to apply and reach out even if you are turned away. 

    Lastly, once you have a poster board and some text and images to spruce it up, you need to laminate the poster, especially in a school full of sticky little kids. The lamination makes the poster shine and lock all of the other components in place. Being able to produce good work and being polite are the finishing touches needed. Being kind and respectful to others will get you highly regarded, in life , and it will most certainly help you obtain your first job. Having thoughful words, and being attentive to your work will make you the complete package! If you can prove that you are capable of producing consistently good work it adds the final shine to your resume.  When laminating occurs, it’s the finishing process. By refining your work you add the final shine to your characteristics. 

    Back to one day in kindergarten, when I was babbling about how my feet were too big. Mrs.Julie  intervened saying “you can’t build a skyscraper on a pinpoint”. Looking back I understand that she was saying that I need a solid base. But little did she know, her 6 p’s posters were the ugh base that I used to get my first job. Getting your first job is a pivotal part of growing up, as you begin a never ending journey into the big kid world, but the characteristics and values are one learns throughout childhood are able to guide us into the scary future. While wearing my taped up red gogo boots, I absorbed so much information about presenting myself properly. Although I have shed the boots, I will never shed the information that I gained. I will continue to utilize the pivotal life skills I learned within all aspect of my life, from giving a speech, to getting a first job, the 6 P’s prevail. 

  • Thud…thud…thud. The flour, baking powder, and most importantly, the exuberant ingredient of the day combine. Suddenly, the humming machine finds solace in the still- it assuredly comes to a halt. A unique and wonderful concoction of bread is formulated. Behind the scenes, this recipe involved more than ingredients. It was shaped by the gears of networking tirelessly shifting. Networking is like a treasured recipe; weathered and worn. Stains overwhelm it, showing its well lived life. Growing richer over time, shaped by the hands of experience…a thousand asterisks containing love notes of how to make it, shaped from the trials and tribulations of many.

    My great grandmother- Barbara Katherine Hawes, “Grandma Barbara”, had the power to fuse bread and networking seamlessly. Although starkly different, these two passions contribute to the beautiful, weathered recipe of her life.

    Networking is “the action or process of interacting with others to exchange information and develop professional or social contacts.” Grandma Barbara did this through her fabric and alteration store. She would sit behind the register, mending fabric, creating bonds and connecting over bread “Why, how do you make it?” she’d ask customers- with a curious glint in her eye. Soon after, she’d go home and promptly begin making the bread that blended customers, family, and herself all into one new recipe. Those small interactions were fundamental to her becoming who she was meant to be; hence, the effect that networking has. Those interactions that she had- under the pretence of bread formed relationships and opportunities that have graced the family line. “80% of professionals find networking essential to their career success…” reports Apollo Technical… just like Grandma Barbara preached. 

    The FBLA Code of Ethics states the commitment to “establishing and nurturing relationships based on trust.” It doesn’t specify what they may lead to, like the opportunity of meeting a kind boy at the State FBLA competition- who would lead to the expansion of my network- the fermentation of my bread concoction. That small interaction introduced me to a strong woman – who I see as a mentor and role-model – his mother. Over our shared walks and bundling up on the couch with coffee I did mending of my own. Bonding and chatting for hours on end. A meaningful mentorship was formed after giving one smile and making one joke. I was gifted a network which has left a stain on the recipe of my life. 

    Networking has the power to expand your social circle; deepen connections, and grant you unexpected opportunities. Networking is powerful, so let yourself buy into it-make that joke, share a smile. Who knows where the relationships will lead you-and who would’ve known the secret ingredient in Grandma Barbaras bread was zucchini. 

  • From an early age, children are fed fables and stories, small mythologies tucked between pages, illustrations masking questions too big for their mouths-stories meant to teach them something righteous. Something moral. Is that what religion supplies? Is religion a storybook for grown-ups, providing structure and order in a chaotic world? To tell us how not to be monstrous, how to be saved, how to conduct ourselves altogether? Does religion grant a moral compass that society would be damned without? Does it divide us with the same hands it claims to hold us together with? These questions trail behind faith, mirroring a shadow, the one that stands tallest among them: can morality exist without religion?

    Religious traditions across the world don’t so much suggest morality as they weave it into the very fabric of being. Religious traditions blend virtue with obedience, justice with fear, and righteousness with reward. Christians believe that a life lived well leads to eternal salvation through their Lord and Savior, Jesus Christ. In Hinduism, the path is walked through dharma, each person’s sacred duty within a social class designed to stretch across lifetimes. Muslims seek peace with Allah, salvation through methods of submission and discipline, guided by the Prophet Muhammad. Buddhists aim to dissolve suffering entirely, renouncing the world in hopes of transcending it. Each faith, with each doctrine, leads its followers toward a version of moral living, but the light they promise at the end of the path is not always the same.

    Still, sacred figures stand at the center of each story. Prophets, gods, enlightened beings-avatars of perfection or warning. Morality, in these systems, is cosmic. It is a consequence pressed upon the soul, stretched out into eternity. But the rules differ. The codes clash. A holy act in one place becomes heresy in another. Division rises-holy wars born from holy texts, each claiming its righteousness is ubiquitous, when in truth it is idiosyncratic. If religion offers a map of morality, it is a map drawn over centuries by a thousand different hands, weathered, worn, querulous, filled in with both faith and blood.

    Yet, there remains the branch of people who bore their lives independently. The agnostic. The atheist. The thinker who kneels to no god and still wakes up trying to be good. For they must be simply sullied beings if they traverse life without a savior. The movement through life without scripture, without temples, without promise of paradise or threat of fire. What guides them, if not faith? Empathy, perhaps. Reason. A belief that kindness, justice, and integrity are worth pursuing just because. Paul Kurtz’s theory of secular humanism, explained in his book “What is secular humanism?” called it a morality rooted in our shared humanity (Kurtz, 2000). Albert Camus, author of “The Stranger” writing about a man condemned to push a rock up a hill for eternity, found dignity not in divine reward, but in defiance. We must imagine Sisyphus happy, he wrote (Camus, 1942/1991). Because in a godless world, the moral choice becomes more meaningful, not less-it is made freely, consciously, stubbornly.

    Eaton High School senior, Evelyn South said, “I think that a person without faith still could be moral, but they might not understand why something is moral or not. It’s hard if you don’t have a set standard to follow.”

    Immanuel Kant, in his Groundwork for the Metaphysics of Morals, argued that moral law does not descend from heaven-it rises from within. His categorical imperative demanded only that we act in ways we would be willing to universalize (Kant, 1785/2002). John Stuart Mill, the utilitarian, told us to look outward-do what brings the greatest good to the greatest number (Mill, 1863/2001). These systems function with no divine authority. And yet they ask us to be better. To live not for eternity, but for one another.

    Still, we must admit that religion provides more than a code. It gives meaning. It explains suffering. It builds community and ritual, it tells humans that there is a purpose. Without it, life is lugubrious, untethered chaos. Who would you cry out to when life ultimately collapses? Who do you thank when beauty arrives unannounced, like petrichor after drought? For many, it is far simpler to live with rules and gods and reward than with silence.

    While religion often guides moral behavior, it does not guarantee it. The world’s darkest acts have often been carried out beneath stained glass or atop temple stones. History is heavy with blood sanctified by belief. A man can wear a cross and lie. A woman can pray and still hate. And so we ask: if religion cannot ensure goodness, what can?

    Friedrich Nietzsche, wild-eyed and truculent, told us in On the Genealogy of Morality that religion’s morality is little more than a leash-used by the powerful to tame the strong and crush the wild spirit (Nietzsche, 1887/2007). He wanted us to reimagine virtue, to climb out from under guilt and obedience and live with courage instead. “Good is what’s proper to living, and what’s evil leads to death.” That definition, stripped of faith, reflects something primal.

    While religion has long been a source of moral guidance, there are those who find their moral compass outside of religious frameworks. Locally, Eaton High School math teacher Derek Weigle, beloved by his students, puts it more simply: “When I think of the main subjects of good and evil, I interpret good as life and bad as death… and I think that happens a lot when you think of portrayals-like a lot of times evil things are dead. In other words: what is good? What is good-for who?”

    Morality is about choice, not compulsion. As Weigle argues, “Morality-for me-is all about the shopping cart in the parking lot. You don’t get in trouble for not returning it… But you do it because it’s the right thing to do. You do it even though no one is watching.”

    From the beginning, humans have looked up. Necks strained and heads cranked… upward. To the moon, the stars, the heavens-burning symbols of justice and wonder. Maybe we thought someone was up there watching. Maybe we hoped they were. But it’s just as likely that we were looking at reflections of our own longing. Perhaps morality didn’t come from above at all. Perhaps it was born here-among us-in the hunger for fairness, in the ache for meaning, in the terror of suffering.

    Widely admired, Dean “DG” Grable, a physical education teacher at Eaton, echoes harmoniously when he says: “Even without religious belief-it doesn’t excuse you from right and wrong.”

    The unknown still stands before us, vast, quiet, and demanding. For some, that silence is terrifying. Gods were designed to mold perfectly-to inhabit that space in between with their mighty being. Some humans stare into it and decide to be kind anyway. To love anyway. To live well-not because someone told them to, but because something inside whispers that it matters.

    So-can morality exist outside of religion?

    Yes. It must. Religion may offer morality, shape, and story, but it does not own its soul. Morality lives in the trembling space between thought and action. It rises when we hurt and choose not to harm. When we see suffering and still dare for hope. And whether that be called good, or holy, or simply human-it is enough.

  • A few weeks ago an essay titled “The Hunger to Be Everything” passed my hands. It has stayed heavy on my mind. The premise was simple, and devastating: that our culture no longer allows any single version of ourselves the time or space to mature. We abandon one potential identity the moment another appears glossier, more enviable, more immediately rewarding. “We’ve become spectators of everyone,” the author, Amber, wrote, “and participants in nothing of our own.” The line reverberated, because it captures the strange, fractured way so many of us grow up now—half in our own lives, half in the curated projections of others.

    In this environment, identity becomes an endless carousel. We imagine the more disciplined version of ourselves, the more effortless version, the more luminous version—the one whose life photographs well from every angle. We’ve been conditioned to see the self as an interchangeable product line, each model promising improvement if we simply discard the last. It is a subtle tragedy: in the pursuit of becoming everything, we slowly erode the possibility of becoming someone.

    We often inhabit lives that were never ours to begin with. We put on roles the way we put on clothing—borrowed, tailored to someone else’s measurements, restrictive to the point of suffocation. The overachiever identity. The reliable one. The composed, unshakeable one. These selves accumulate quietly, and before long, they dictate the architecture of our days. Some hang loosely, never quite aligning with who we are; others bind so tightly we forget what unrestricted movement feels like. And yet we persist because we have been taught that shedding them is an act of a shortcoming rather than an act of liberation.

    Margaret Edson’s Wit offers a striking image of this shedding. In the final chapter, Vivian Bearing steps out of her hospital gown—not in theatrical revolt, but in a profound gesture of relinquishment. The gown, thin and institutional, represents the intellectual armor she wore her entire adult life: the performance of control, the precision, the relentless pursuit of brilliance as a proxy for worth. When she removes it, she is not stripped bare but rather restored to a self that exists beyond accomplishment. That moment, quietly revolutionary, illuminates a truth that applies far beyond the stage: we, too, are constantly stepping out of lives that were once necessary but are no longer authentic.

    Yet the pressure to remain inside those inherited identities persists relentlessly. We hunger to be everything because we’re convinced our value depends on it. But Mary Oliver disrupts this entire worldview in Wild Geese. “You do not have to be good,” she writes—an almost heretical reminder in a culture obsessed with optics and performance. “You only have to let the soft animal of your body love what it loves.” Oliver’s voice cuts through the noise with the clarity of something ancient. Her poem is not permission to fall short; it is permission to exist without apology. It offers belonging without prerequisites.

    If The Hunger to Be Everything diagnoses the exhaustion of our fractured identities, Wild Geese provides the counterweight. One reveals the cost of performing a dozen borrowed selves; the other insists we already belong “in the family of things” simply by virtue of our being.

    But beneath all this—literature, culture, aspiration—there is a quieter revelation: it is extraordinary to be an individual. We underestimate the miracle of inhabiting a body that is irreproducible. Our hair grows in its own pattern. Our skin carries the memory of our lineage. Our fingerprints form spirals no other human shares. We are the product of a thousand improbable convergences, yet we speak about ourselves as though sameness is the ideal.

    Being young, this truth becomes jaded and obscured. It convinces us that identity is something we must solve early and perfectly. The lives we chose to lead are beyond customizable. The life ahead is not scripted. It is not a mold we must fit into. It is something malleable, something we are allowed to author.

    And we do not have to be everything to be worthy.

    Perhaps the ache to become is not a flaw but a signal—evidence of our aliveness, our curiosity, and our capacity for growth. But the most meaningful form of becoming is not rooted in comparison or spectacle; it is rooted in the slow, steady reclamation of a life that feels like our own.

    In the end, maybe the ultimate task is not to become everything, or anything impressive at all, but to become someone true—someone unborrowed, unduplicated, unmistakably themselves.

    And maybe, after all this striving, that will be enough.